University of Illinois Music Education

University of Illinois School of Music


Janet Revell Barrett

Marilyn Pflederer Zimmerman Endowed Scholar in Music Education

Ph.D., The University of Wisconsin-Madison, 1990 M.A., The University of Iowa, 1982 B.M.E., The University of Iowa, 1977

Janet Revell Barrett is the Marilyn Pflederer Zimmerman Endowed Scholar in Music knowledge within University of Illinois at Urbana-Champaign. The woman study passions include the reconceptualization associated with songs curriculum, secondary basic songs, interdisciplinary approaches in music, and songs teacher knowledge. Barrett has actually published commonly in songs education and it is an author or editor of five publications: Sound methods of Knowing: Music inside Interdisciplinary Curriculum; searching In On Music Teaching; making a Personal Orientation to Music training; Music knowledge at a Crossroads; and The Musical knowledge: Rethinking musical Teaching and training. She has also served regarding the faculty of Northwestern University and University of Wisconsin-Whitewater. just before her work with advanced schooling, Barrett taught general and choral songs in Iowa and Wisconsin. She's recent times chair for the Society for musical Teacher Education and editor associated with the Bulletin for Council of analysis in Music knowledge.

Key Pro Appointments

Associate Professor, Henry and Leigh Bienen School of Music, Northwestern University, 2003-2013

Professor, University of Wisconsin-Whitewater, 1990-2003

Chair, Music Division, University of Wisconsin-Whitewater, 2000-2003

Tasks & Honors

Editor, Bulletin of Council for Research in musical knowledge, 2013-

Co-Editor, The hill Lake Reader: Conversations on learn and Practice of Music Teaching

The guts the learn of knowledge in addition to Musical Experience, Northwestern University, 2003-2013

Consultant, Chicago Arts Partnerships in Education (CAPE), 2012-

Seat, Community for Music Teacher Knowledge, 2010-2012

Consultant and Strand Chief, Ravinia Festival Reach/Teach/Play, Music Discovery Venture, 2004-2013

Coordinator, MENC Centennial Congress, 2007

Searle Teaching Fellow, 2005-2006

University of Wisconsin-Whitewater university of Arts and Communication quality in Research Award, Excellence in-service Award

North Central Division President, MENC: The National Association for Musical Education, 2004-2006

President, Wisconsin Musical Educators Association, 2004-2006

Publisher, General Musical Today, 2003-2004

Curriculum editor, BandQuest Project of American Composers Forum, 2000-2004

Council for analysis in Music knowledge, Outstanding Dissertation Award, 1990

University of Wisconsin-Madison, Future Directions Task Force, 1988-1990

Analysis Statement

Prominent themes in my scholarly work include music instructor education that emphasizes query, reflection, and development; reconceptualized views of this music curriculum that ahead comprehensive visions of teaching and learning; the relationship of songs research to other areas and art kinds through interdisciplinary methods; and qualitative methodologies in music training, specifically about the pedagogy of analysis knowledge.

Teaching Philosophy

Training is a dynamic and reflective procedure that attracts from a well-articulated understanding of the area. As a songs instructor educator, it is necessary that we focus on integrity, acting prior to my opinions concerning the nature of training and discovering to be able to model thoughtful axioms. Putting these opinions into practice is an ethical dimension specifically critical for educators of instructors. We base my instructional basis on maxims produced by a social constructivist direction which definition making, social contexts, cognitive modification, emotional proportions, and informed action undergird understanding and teaching. We focus on a pedagogy which involves pupil dialogue, questioning, and jobs that call for the integration and synthesis of promising understandings. I also think that important improvement in pupils’ thinking usually comes from puzzlement, surprise, or real curiosity, thus I aim to establish a classroom environment in which students feel safe to challenge tips, acknowledge ambiguity, and wrestle with multiple things of view. We facilitate team query tasks that draw upon pupils’ diverse aspects of expertise and experience in collaborative efforts. In addition believe training may be an artistic phrase in the way that mastering experiences are sequenced, in the manner the areas of the course relate solely to the entire, and through liquid answers towards ebb and flow of in the offing and serendipitous events. Eventually, considering that the nature of learning how to show can be found, complex, and evolving, we help pupils in developing their abilities of perception, evaluation, and reflection to direct their own expert development and development.

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